All the reviews (Links)

As we get ready for closing weekend (last performance is August 18th), here is a summary of the critical response to the play, including links to the full articles.

"Emilio Williams's deft, of-the-moment comedy is worth tweeting about. (...) Williams and his deft cast tweak theatrical conventions and technological obsessions with joy and, indeed, smarts."
-Kris Vire, Time Out Chicago

http://timeoutchicago.com/arts-culture/theater/15538116/smartphones-a-pocket-size-farce-at-trap-door-theatre-theater-review


"Smartphones: A Pocket-Size Farce is a smart, well-executed show with just the right ratio of mockery to substance. Recommended"
-Keith Griffith, Chicago Reader 

http://www.chicagoreader.com/chicago/smartphones-a-pocket-size-farce/Event?oid=6938347

"The production design is spectacular, evoking an mid-60s flavor.  (...) It looks fantastic, and the performances (hilariously arch) are stylized and otherwordly."
-Nina Metz, Chicago Tribune

http://www.chicagotribune.com/entertainment/ct-ott-0727-on-the-fringe-20120726,0,7713654.story

"Ah, what a refreshing thing a good farce can be on a hot summer day. In a nation with a drought of not just rain but quality satire, the premiere of Emilio Williams' Smartphones: A Pocket-Size Farce delivers a quirky little comedy with a sneakily smart dose of both old and new humor."
-Clint May, Chicago Theater Beat

http://chicagotheaterbeat.com/2012/07/22/review-smartphones-a-pocket-size-farce/

"One of the funniest and cleverest pieces of absurd theater I have ever seen. (...) I laughed, I gasped, I cringed, I enjoyed every second of it. It's theater of the absurd for the digital age."
-Jake Lindquist, Chicago Stage Style  

 http://steadstylechicago.com/smartphones.htm

 "IT'S ABSURD HOW AMAZING TRAP DOOR THEATRE IS...OR IS IT THE OTHER WAY AROUND? (...) Emilio Williams is a new voice worth following.
" - Paul Kubicki. Stage and Cinema 

http://www.stageandcinema.com/2012/07/26/smartphones/

“The cast delivers the craziness with a calculated combination of choreographed restraint and reckless abandon. (…)This show looks as good as next year’s iPhone upgrade. Recommended”
-Venus Zarris, Chicago Stage Review

http://www.chicagostagereview.com/?p=25972

“The cast is wonderful as a unit, but Jodi Kingsley (…) manages to humanize an absurdist character, and once you’ve seen that, you start to think that all absurdist comedies might be improved by such a performance. Recommended”
-Lisa Findley, Center Stage

http://www.centerstagechicago.com/theatre/shows/13059.html#review